Pages

Thursday 30 January 2014

Frottage and Leaf Relief


As I chose to look into how nature has inspired innovation, I was interested in how this related to several art practices.

Max Ernst

Initially, I found a true innovation in art in the form of Max Ernst's surrealist frottage. This technique is often associated with our childhood memories, where paper is placed over a natural textured surface i.e. wood, leaves etc. and graphite is rubbed over the paper to gain interesting effects which mimic the texture of the natural surface.

Max Ernst's 'Forest and Sun', Graphite Frottage on Paper, 1931
Ernst used this technique of frottage as a starting point to enable him to build on the initial lines and markings to create inventive, surrealist imagery.

Although the element of frottage is definite in Ernst's work, it often lacks colour and tones. Often the viewer has to piece together any meaning reflected in the imagery as it seems quite spontaneous, working with textures rather than a particular subject.





Leaf Relief

Through research, I found an interesting article by Cassie Stephens based on leaf relief, which explored the simple process in step by step form. Following this article, I created my own versions using found leaves.




Process:

- Found leaves spray mounted onto mount board
- Seal with more spray mount over entire surface
- Measure foil to size and place over board
- Carefully rub the foil over the surface to bring out the texture of leaves underneath
- Using black spray paint, completely cover foil
- Wait for paint to dry fully, use metal scourer to reveal foil underneath in certain places and to reveal lines of the leaves. 


After creating my test pieces, I was pleased with the result, though felt that some of the lines were lost among the foil scratching surrounding them. To make the lines clearer, I could try using string and other various materials to create the imagery. However, I think the hint of silver with the foil gives a more sophisticated, delicate finish which I value in the pieces.


Monday 27 January 2014

Initial trip to 3M Buckley Innovation Centre


As part of the brief, I was told that I would have to make a commissioned art piece for the 3M Buckley Innovation Centre at the University of Huddersfield. Therefore, my initial reaction was to go to the building itself to gain a better perspective of the style and layout which will help me when making appropriate design decisions.





As a general observation, I found that the building had a modern interior and exterior, but also felt quite corporate and simple. There are a lot of geometric shapes and limited colours, seemingly only grey, green and red tones. As the building suggests, it has a very professional look, though lacks any vibrancy in colour to fit into the sleek, modern finish. 

In the corridors, light projects text onto the walls and much shadow. I will need to be careful when placing my work so the reflection doesn't disadvantage my artwork and think about how it could affect the overall look of the piece. The artwork will need to be appropriate for the setting, keeping a modern feel whilst interesting professionals and creatives who work in the same building.

I immediately took initiative and asked the receptionist to forward my email to those who work in the building so I could interview them about their companies and what they would like to see in the building. So far I haven't received any emails.

Even though I have already looked at the building, the 2 week research period is strictly focused on the themes of 'innovation' and 'creativity' rather than the innovation centre itself. I will go back to researching more on the building at a later date.




Saturday 25 January 2014

New Term, New Brief! Innovation and Creativity


For the second term of University, I was set an entirely new brief where I was given a 2 week period to complete research and ideas on the topics of innovation and creativity.

Through my initial research, I found that innovation was 'the ability to generate new ideas or to restructure and redeploy old ones'. Also, a lot of innovation has been centred around new technologies created by man. This led me to think of how I could innovate my own practice and perhaps look into personal past projects to see how I could re-invent them in new, innovative ways. Themes that immediately sprung to mind were modern day political issues, experimentation, superstitions, and editorial design for magazines. However, even with these initial thoughts, nothing seemed to really grab my attention for a starting point for the project.


Group Tutorial with Ian Massey: 23rd January 2014

In the group tutorial, we were asked to present our initial ideas about the theme of innovation. However, as I was not clear about which direction to take with the project, I listened to others to try and gain some inspiration. 

After hearing others responses to the brief, I decided that as one starting point I could look into the link between nature and innovation. This interested me in the sense that on the surface, natural forms do not seem to have a part in this kind of modern innovation and are unable to innovate themselves. This led me to think about adaptation and evolution. 

Another idea that came to mind was the link between innovation and the subconscious and so I asked myself, can innovation be accidental? This triggered me to think about how I have experimented with media, made 'happy accidents' due to mistakes, and how I often find myself thinking up new ideas at random intervals where I am not consciously making a decision i.e. the shower! These subconscious thoughts have often directed my projects or at least given me starting points! 

Therefore, I found the group tutorial with Ian Massey a major help as now I have at least a couple of ideas to start off my research into the new brief!